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"Sweet Caroline" is a song written and performed by American singer Neil Diamond and released in May 1969 as a single with the title "Sweet Caroline (Good Times Never Seemed So Good)". It was arranged by Charles Calello , [ 2 ] and recorded at American Sound Studio in Memphis, Tennessee .
Charles Ives, "Allegretto Sombreoso" for flute, trumpet, three violins, and piano "Fugue in Four Keys on the Shining Shore" for flute, trumpet, two violins, viola, cello and double bass "Scherzo (all the way around and back)" for flute, trumpet, violin, piano and percussion. Vincent A. Jockin, Quintet, Op. 27, No. 1, for trumpet and string quartet
Music for Large & Small Ensembles is a double album by Canadian jazz trumpeter Kenny Wheeler recorded over two sessions in January and February 1990 and released on ECM later that year. [1] The Sweet Time Suite' is Wheeler's most ambitious extended work for big band since 1969's Windmill Tilter .
Up On the Roof: Songs from the Brill Building, released in 1993 on Columbia Records, is a cover album and also the twenty-first studio album by Neil Diamond.It contains a duet with Dolly Parton, string arrangements by David Campbell, along with re-makes of tracks associated with the Brill Building, where Diamond had worked in the 1960s.
Despite its title coming from lyrics for the hit song "Sweet Caroline", that track was not included on the US version as it was already on the previous Brother Love's Travelling Salvation Show album. On the UK edition, " Sweet Caroline " was included as the last track on Side A.
The first volume, intended for beginners, was published in 1909 as Clarke's Elementary Studies for Cornet.It includes the author's discussions of the positioning of the mouthpiece on the lips, tone, breathing, musical terms, 30 graded lessons, and 116 exercises.
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. [1] [2]Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. [3]
For Violin (or Flute), Violoncello, and Piano in B♭ major; 2. For Violin (or Flute) and Piano in G major; 3. For Piano, No. 1, in C major; Op. 3, 3 sets of Variations for piano (London, 1794) 1. A Rondo of Pleyel in C major; 2. The Lass of Richmond Hill in G major (Opus 2–1) 3. Wenn's Immer So War in G major
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