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The end-blown flute began to be seen in illustration in the 11th century. [11] Transverse flutes entered Europe through Byzantium and were depicted in Greek art about 800 AD. [12] The transverse flute had spread into Europe by way of Germany, and was known as the German flute. [12]
The Aurignacian flutes were created between 43,000 and 35,000 years ago. The flutes, made of bone and ivory, represent the earliest known musical instruments and provide unmistakable evidence of prehistoric music. The flutes were found in caves with the oldest known examples of figurative art.
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The oldest written sources reveal the Chinese were using the kuan (a reed instrument) and hsio (or xiao, an end-blown flute, often of bamboo) in the 12th-11th centuries b.c., followed by the chi (or ch'ih) in the 9th century b.c. and the yüeh in the 8th century b.c. [3] Of these, the chi is the oldest documented cross flute or transverse flute ...
The bamboo end-blown flute now known as the shakuhachi was developed in Japan in the 16th century and is called the fuke shakuhachi (普化尺八). [1] [2] A bamboo flute known as the kodai shakuhachi (古代尺八, ancient shakuhachi) or gagaku shakuhachi (雅楽尺八) was derived from the Chinese xiao in the Nara period and died out in the ...
The standard concert flute, also called C flute, Boehm flute, silver flute, or simply flute, is pitched in C and has a potential range of three and a half octaves starting from the note C 4 . The flute's highest pitch is usually given as C 7 or (in more modern flute literature) D 7.
Boehm's work was inspired by an 1831 concert in London, given by soloist Charles Nicholson, who, with his father in the 1820s, had introduced a flute constructed with larger tone holes than were used in previous designs. This large-holed instrument could produce greater volume of sound than other flutes, and Boehm set out to produce his own ...
His new flute was first displayed in 1851 at the London Exhibition. [3] In 1871 Boehm published Die Flöte und das Flötenspiel ("The Flute and Flute-Playing"), a treatise on the acoustical, technical and artistic characteristics of the Boehm system flute. [1] Boehm's experience as a goldsmith was a key factor in his ability to redesign the flute.