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By 1927 the company had created a much larger, commercial-sized theater screen and took it, along with its rear projector system and a new wide-angle lens, to the motion picture industry. In partnership with RKO (Radio-Keith-Orpheum) Studios, the Trans-Lux Movies Corporation was created to penetrate the market further.
Base Hologram and the Estate of Whitney E. Houston announced that the production will reunite audiences with Houston, using state of the art technology to create a live theatrical concert. It will not be using Pepper's ghost, in which a 2D image is projected on plexiglass and then reflected onto an LED screen. Rather, the specters are projected ...
The projector needs a more powerful bulb due to increased screen size and light pollution. In addition, digital projection equipment may require an Internet connection, and the booth must be retrofitted with special glass, more vents, and stronger air conditioning, as well as heat in northern climates.
A drive-in movie theater is an outdoor parking area with a screen—sometimes an inflatable screen—at one end and a projection booth at the other. Moviegoers drive into the parking spaces which are sometimes sloped upwards at the front to give a more direct view of the movie screen.
Although a projection screen cannot improve a projector's contrast level, the perceived contrast can be boosted. In an optimal viewing room, the projection screen is reflective, whereas the surroundings are not. The ambient light level is related to the overall reflectivity of the screen, as well as that of the surroundings.
The system is capable of delivering up to 48 cd/m 2 on unity-gain matte-white screens for 3D (and up to 106 cd/m 2 for 2D), a substantial improvement on current generation 3D systems which deliver in the range of 10 to 14 cd/m 2 for 3D. The result is improved brightness, colour, and contrast compared to traditional xenon projectors.
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