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Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
Investment casting is an industrial process based on lost-wax casting, one of the oldest known metal-forming techniques. [1] The term "lost-wax casting" can also refer to modern investment casting processes. Investment casting has been used in various forms for the last 5,000 years.
Students of bronze casting will usually work in direct wax, where the model is made in wax, possibly formed over a core, or with a core cast in place, if the piece is to be hollow. If no mould is made and the casting process fails, the artwork will also be lost.
Bronze Jin, cast using traditional piece-mould techniques, is further embellished by adding prefabricated ornate open worked handles, which are produced through a lost wax process and then attached. Lost wax was eventually introduced to China from the ancient Near East as far west as possible, and the process has an early and long history in ...
Dancing Girl is a prehistoric bronze sculpture made in lost-wax casting about c. 2300 –1751 BC in the Indus Valley civilisation city of Mohenjo-daro (in modern-day Pakistan), [1] which was one of the earliest cities. The statue is 10.5 centimetres (4.1 in) tall, and depicts a nude young woman or girl with stylized ornaments, standing in a ...
The lost wax technique. The Victorious Youth, also known as the Atleta di Fano, the Lisippo di Fano or the Getty Bronze, is a Greek bronze sculpture, made between 300 and 100 BCE, [1] in the collections of the J. Paul Getty Museum, displayed at the Getty Villa in Pacific Palisades, California.
The two bronze sculptures are simply known as “Statue A”, referring to the one portraying a younger warrior, and “Statue B”, indicating the more mature-looking of the two. Both sculptures were made using the lost-wax casting technique. [2]
Like their predecessors, the Wolfstür (Wolf's door) of the Aachen Cathedral and the Marktportal (Market Portal) of the Mainz Cathedral, the Bernward Doors were manufactured using the Lost-wax process, which puts exceptional demands on the workers of the casting workshop, since the mold can only be used once.
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