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Drop D tuning is the most basic type of "drop 1" tuning, where the 6th string is tuned down a whole step (a tone). A large number of other "drop 1" tunings can be obtained simply by tuning a guitar to drop D tuning and then tuning all strings down some fixed amount. Examples are Drop D ♭, Drop C, Drop B, Drop B ♭, and Drop A tunings. All of ...
Double drop D tuning. Double drop D tuning (listen) Similar to the dropped tunings, except that both the 1st and 6th strings are dropped one full step. Double Drop D – D-A-D-G-B-D Standard tuning but with the 1st and 6th strings dropped one full step. Favored by Neil Young. Has also been used by Lamb of God on some of their earlier songs.
A dropped tuning is one of the categories of alternative tunings and the process starts with standard tuning and typically lowers the pitch of ("drops") one or more strings, almost always the lowest-pitched (E) string on the guitar. The drop D tuning is common in electric guitar and heavy metal music. [19]
"Asking for It" was written in drop D tuning by Eric Erlandson with the main guitar riff constructed from four chords (D5–C5–A5–G5) with the latter two chords being barre chords due to the alternate tuning. The song opens with a simple bass line based on Erlandson's chords.
With drop-D tuning, the bottom three strings are tuned to a root–fifth–octave (D–A–D) tuning, which simplifies the playing of power chords. [ 62 ] [ 63 ] Regular tunings allow chord note-forms to be shifted all around the fretboard, on all six strings (unlike standard or other non-regular tunings).
It is performed with distorted guitars in Drop-D tuning. The song opens with a four bar phrase of a descending guitar line over a chordal riff of B5/F#5/E5 repeated twice. After a single bar of 3/4 time, the main verse enters with vocals and a choppier, palm-muted version of the intro riff. [ 6 ]
A 2011 Rolling Stone reader's poll placed the song at number one on a list of the 10 best Van Halen songs. [3]Chuck Klosterman of Vulture.com named it the second-best Van Halen song, writing that it "merely feels like insatiable straight-ahead rock, but the lick is freaky, obliquely hovering above the foundation while the drums oscillate between two unrelated performance philosophies."
The song is written in drop D tuning, and is built primarily out of power chords based on the notes of a diminished triad. It also incorporates extensive use of guitar distortion, and the use of palm muting creates a highly rhythmic, driving style amplified by a heavy percussion track.
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