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American Gothic is a 1930 painting by Grant Wood in the collection of the Art Institute of Chicago. A character study of a man and a woman portrayed in front of a home, American Gothic is one of the most famous American paintings of the 20th century, and has been widely parodied in American popular culture. [1] [2]
Grant Wood, American Gothic (1930), Art Institute of Chicago. Wood's best known work is his 1930 painting American Gothic, [14] which is also one of the most famous paintings in American art, [13] and one of the few images to reach the status of widely recognized cultural icon, comparable to Leonardo da Vinci's Mona Lisa and Edvard Munch's The ...
The American Gothic House, also known as the Dibble House, is a house in Eldon, Iowa, designed in the Carpenter Gothic style with a distinctive upper window. [3] It was the backdrop of the 1930 painting American Gothic by Grant Wood, generally considered Wood's most famous work and among the most recognized paintings in twentieth century American art.
RAGBRAI riders packed the grounds of the 19th-century home that inspired one of America's most famous paintings. RAGBRAI riders stop at home that inspired Grant Wood's 'American Gothic' painting ...
Head to Eldon, Iowa, to dress up as the farmer and his daughter at the iconic home from Grant Wood's "American Gothic" painting.
The iconic home from Grant Wood's 1930 painting American Gothic is vacant. If farm livin' is the life for you, then get ready to pack your bags. You could soon be hanging out in history's most ...
American Gothic House, a house in Eldon, Iowa that was the backdrop for the painting Topics referred to by the same term This disambiguation page lists articles associated with the title American Gothic .
Grant Wood's magnum opus American Gothic, 1930, has become a widely known (and often parodied) icon of social realism.. Social realism is the term used for work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions.
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