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German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
This period, between the end of World War I and the advent of the Nazi regime, is considered an early renaissance in world cinema, with many influential and important films being made. The style of many of these films is called German Expressionism. For an alphabetical list of articles on Weimar German films see Category:Films of the Weimar ...
Kammerspielfilme (the plural form) formed a German film movement of the 1920s silent film period that was developed around the same time as the more commonly known Expressionist movement in cinema. The Kammerspielfilm was known as the "chamber drama" as a result of the influence from the theatrical form of the chamber play . [ 4 ]
Notable European early film movements include German expressionism (1920s), Soviet montage (1920s), French impressionist cinema (1920s), and Italian neorealism (1940s); it was a period now seen in retrospect as "The Other Hollywood". War has triggered the birth of Art and in this case, the birth of cinema.
Pages in category "German Expressionist films" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. A. Algol (film)
These films included The Battleship Potemkin, October, Mother, The End of St. Petersburg, and The Man with a Movie Camera. The effect has also been studied by psychologists and is well-known among modern film-makers. Alfred Hitchcock refers to the effect in his conversations with François Truffaut, using actor James Stewart as the example.
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
The self-deluded lead characters in many expressionist films echo Goethe's Faust, and Murnau indeed retold the tale in his film Faust. German expressionism was not the dominant type of popular film in Weimar Germany and were outnumbered by the production of costume dramas, often about folk legends, which were enormously popular with the public ...