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The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
Statue of "the Buddha preaching on reason," with the Buddha's hands in the double abhāya mudrā position (Luang Phrabāng, Laos) Reasoning and exposition ( Vitarka mudrā ): the arm and hand are positioned in the same manner as in the abhāya mudrā , except that the thumb and forefinger are brought together.
Buddhābhiseka is known a number of different terms in various languages. [1] The terms kaiyan (開眼; 'opening the eyes'), kaiguang (開光; 'opening the light'), and dianyan (點眼; 'dotting the eyes') and their derivative forms are used in the Chinese, Korean (where is it known as jeom-an or 점안), Japanese (where it is known as kaigen) and Vietnamese languages (where it is known as ...
In later periods both the major schools of Buddhism have made great use of representational art, though Theravada temples and other sites typically concentrate on a single large sculpture of the Buddha, whereas Mahayana temples have larger numbers of images of a greater variety of figures with varying degrees of spiritual significance.
Vairocana, the first Dhyani Buddha, embodying sovereignty and occupying the center, [7] is a special case (in any case, he is distinct from Gautama and not normally confused with him). He was one of the Buddhas of Bamiyan blown up by the Taliban which China mourned and tried to replace with the world's tallest statue, named Spring Temple Buddha ...
Another extremely common paribhoga cetiya is the Buddha footprint, which are found across the Buddhist world symbolizing the ground that Buddha walked on and the powerful size of his dhammakāya. Sometimes these footprints are also classed as udesaka, a representation of the Buddha's foot, or sārīraka, implying that the footprint was the foot ...
A statue or a painting of Buddha always illustrates a mudra or gesture. There are large numbers of these, but a few are the oldest and most common. In Mahayana Buddhism , some of the most common have also become identified with the five transcendental Buddhas, also called " Dhyani Buddhas " or "Pancha Buddhas", further complicating ...
Stone statue of Buddha from Sultanganj in Bihar with ye dharma hetu inscribed on the lotus base (magnify to see), 500-700 AD. The Pratītyasamutpāda-gāthā, also referred to as the Pratītyasamutpāda-dhāraṇī (dependent origination incantation) or ye dharmā hetu, is a verse and a dhāraṇī widely used by Buddhists in ancient times which was held to have the function of a mantra or ...
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