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Horror fans looking for a zombie movie fix will be disappointed." [9] Peter Turner of Filmoria gave the film two out of five stars, and deemed it "damned disappointing", commenting that "Lundgren may be passed his prime and the zombies far outweigh the robots but Battle of the Damned does give a lot of bang for its limited bucks."
The Damned (Götterdämmerung) (Italian: La caduta degli dei, lit. 'The Fall of the Gods') [a] is a 1969 historical-drama film directed and co-written by Luchino Visconti, and starring Dirk Bogarde, Ingrid Thulin, Helmut Berger, Helmut Griem, Umberto Orsini, Charlotte Rampling, Florinda Bolkan, Reinhard Kolldehoff and Albrecht Schönhals in his final film.
With his broad face, broken nose and distinctive white-blond hair, he would go on to play variations of the role of German officers in a series of films, notably Battle of the Bulge (1965), Andrew V. McLaglen's The Devil's Brigade (1968), Luchino Visconti's The Damned (1969), and as a Waffen-SS tank commander of a Tiger I tank from the 1st SS ...
Battle of the Commandos (also known as Legion of the Damned) is a European Macaroni-War film directed in 1969 by Umberto Lenzi.The movie was a co-production between Italy (where it was released as La legione dei dannati), West Germany (where is known with the title Die zum Teufel gehen) and Spain (where is known as La brigada de los condenados).
Italian-born Texas-based director Roberto Minervini is known for a distinguished career making documentaries including his so-called Texas trilogy comprising “The Passage,” “Low Tide” and ...
In 1969, Berger was nominated for a Golden Globe Award for his role in The Damned, and in 1973 he won a David di Donatello – the Italian equivalent of an Academy Award – for his performance in Ludwig. In 2007, he received a special Teddy Award at the 57th Berlin International Film Festival (2007) for his overall professional achievements. [25]
Angel, Angel, Down We Go, also known as Cult of the Damned, is a 1969 American film directed by playwright and screenwriter Robert Thom, his sole directorial credit.Thom based his screenplay on an unproduced stage play of the same title that he had written several years earlier as a vehicle for his wife, actress Janice Rule.
Born in Rome, Catenacci started his career as a production manager, and was later convinced by several directors including Mario Bava to move into acting. [1] After appearing in several films with the pseudonyms Luciano Lorcas and Max Lawrence, in the early 1970s he definitely started being credited with his real name. [1]