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The sack-back gown or robe à la française was a women's fashion of 18th century Europe. [1] At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court ...
The robe à la française or sack-back gown had a tight bodice with a low-cut square neckline, a decorated [stomacher], wide panniers, and was lavishly trimmed with all manner of lace, ribbon, and flowers. An early form of the robe à la française was worn as a less formal undress fashion.
The robe à la française or sack-back gown featured back pleats hanging loosely from the neckline. A fitted bodice held the front of the gown closely to the figure. The robe à l'anglaise or close-bodied gown featured back pleats sewn in place to fit closely to the body, and then released into the skirt which would be draped in various ways.
The robe à l'anglaise or close-bodied gown featured back pleats sewn in place to fit closely to the body, and then released into the skirt which would be draped in various ways. Elaborate draping " à la polonaise " became fashionable by the mid-1770s, featuring backs of the gowns' skirts pulled up into swags either through loops or through ...
The Robe à l'Anglaise or English gown was also a popular style in Europe. The English-style gown featured a fitted back and open front skirt to display decorated underskirts, as in the Robe à la Française. [10] The final version of the mantua, which emerged around 1780, bore little resemblance to the original mantua of nearly a century earlier.
1700s songs (2 C, 2 P) 1710s songs (3 C, 1 P) 1720s songs (1 C) ... The Anacreontic Song; Au clair de la lune; Auld Robin Gray; Auprès de ma blonde; B. The Beggars ...
The innovative Galerie des modes is the most expansive and perhaps the best known project of the print merchants Jacques Esnauts (or Esnault) and Michel Rapilly. Both of these men hailed from the region of Normandy (Esnauts came from Magny-le-Désert, and Rapilly came from Pirou), and the name of their publishing house, Ville de Coutances, reflects these common origins.
Woman’s Robe à la française, 1740-60. Silk satin with silk and metallic-thread supplementary weft-float patterning. Date: between 1740 and 1760