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While some scholars argue that Mark 16 is a Markan composition, [4] others argue that the chapter comes from an older tradition in the pre-Markan passion story. [5] Those arguing in favor of Markan creation point to the numerous time indicators in verse 2, which bear similarities to other phrases in Mark. [6]
"Mark 16:9-20, as many people know or can learn with minimal study, are NOT part of the original writings and were "added" by mankind many decades later." lacks NPOV, bizarre comment in an article about this exact issue, weasel words. "Having said that, use caution and wisdom when reading this "added" conjecture."
The Hebrew scriptures were an important source for the New Testament authors. [13] There are 27 direct quotations in the Gospel of Mark, 54 in Matthew, 24 in Luke, and 14 in John, and the influence of the scriptures is vastly increased when allusions and echoes are included, [14] with half of Mark's gospel being made up of allusions to and citations of the scriptures. [15]
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Mark 16:1–8 probably represents a complete unit of oral tradition taken over by the author. [17] It concludes with the women fleeing from the empty tomb and telling no one what they have seen, and the general scholarly view is that this was the original ending of this gospel, with the remaining verses, Mark 16:9–16, being added later.
John 1:1-5:11 is a replacement of a presumably damaged folio, and dates to around the 7th century. Mark 15:13-38 and John 14:26-16:7 are lacking. [3]: 80 The text is written in one column per page, 30 lines per page. [1] The letters are written in a small, slightly sloping uncial hand, using dark-brown ink.
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The stylistic differences suggest that none of these was written by the author of the Gospel of St. Mark. Metzger speaks of the "inconcinnities" between the first 8 verses of chapter 16 and the longer ending, and suggests, "all these features indicate that the section was added by someone who knew a form of Mark that ended abruptly with verse 8 ...