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Pichhwai (also pichwai, pichhavai, pichhvai, pechhavai etc), literally meaning 'that which hangs from the back' from the Sanskrit words "Pichh" means back and "wais" ...
Inspired by the Thanjavur Painting, Nathdwara paintings are of different sub-styles of which Pichhwai paintings are the most popular. [1] The word Pichwai derives from the Sanskrit words pich meaning back and wais meaning hanging. These paintings are cloth paintings hung behind the image of the Hindu god Shrinathji. [citation needed]
After spending 13 years learning with Tulsidasji, Sharma had made a name for himself. In 1989, B. G. Sharma, an eminent Pichhwai artist, took Rajaram under his wings to teach him the nuances of Pichhwai and miniature painting. The artist worked under him for ten years and became adept in both Pichwai and miniature paintings.
The daily sevā and darśana periods are meant to portray a day in the life of Kr̥ṣṇa Gopāla, or Kr̥ṣṇa as Cow-protector. In the Pushtimarg, sevā is the unselfish worship of a svarūpa, under the doctrine that the svarūpa is sentient and appreciates refined food, clothing, and the arts.
Gate of the Shrinathji Temple. The Nathdwara temple was built in the 17th century. [12] The temple is popularly called Shrinathji ki Haveli (House of Shrinathji). Like a regular mansion, it has a chariot for movement (the original chariot in which Shrinathji was brought to Singhar), a store room for milk (Doodhghar), a store room for betel (Paanghar), a store room for sugar and sweets ...
Warli paintings at Sanskriti Kendra Museum, Anandagram, New Delhi Warli Paintings in Mysore. Warli painting is tribal art mostly created by the tribal people from the North Sahyadri Range in Maharashtra, India.
She is a miraculous cow of plenty who provides her owner whatever they desire and is often portrayed as the mother of other cattle. In iconography, she is generally depicted as a white cow with a female head and breasts, the wings of a bird, and the tail of a peafowl or as a white cow containing various deities within her body. Kamadhenu is not ...
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