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The basic forms of writing table, the drop-front desk and cylinder desk had all appeared in the furniture of Louis XV, but their appearance became more classical, geometric and sober under Louis XVI, and the quality marquetry inlays became much finer. The writing tables varied in size, but had leather tops, tapering legs, and usually three drawers.
The Bureau du Roi (French pronunciation: [byʁo dy ʁwa], 'the King's desk'), also known as Louis XV's roll-top desk (French: Secrétaire à cylindre de Louis XV), is the richly ornamented royal cylinder desk which was constructed at the end of Louis XV's reign, and is now again in the Palace of Versailles.
Portrait of Jean-Henri Riesener, seated at one of his writing tables, by Antoine Vestier, 1786 (Musée de Versailles).. Jean-Henri Riesener (German: Johann Heinrich Riesener; 4 July 1734 – 6 January 1806) [1] was a famous German ébéniste (cabinetmaker), working in Paris, whose work exemplified the early neoclassical "Louis XVI style".
During the second half of the 18th century a succession of talented German-born cabinet-makers passed through the French courts. Jean-François Oeben, Jean-Henri Riesener and David Roentgen had successively introduced the courts of Louis XV and Louis XVI to a wide range of finely made and exquisitely finished mechanical furniture.
Louis XVI style, also called Louis Seize, is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1792), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the ...
Louis XVI style roll-top desk of Marie-Antoinette; by Jean-Henri Riesener; 1784; oak and pine frame, sycamore, amaranth and rosewood veneer, bronze gilt; 103.6 x 113.4 cm; Louvre [63] Louis XVI style writing table of Marie-Antoinette; by Adam Weisweiler ; 1784; oak, ebony and sycamore veneer, Japanese lacquer, steel, bronze gilt; 73.7 x 81. 2 ...
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