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Yin and yang (English: / j ɪ n /, / j æ ŋ /), also yinyang [1] [2] or yin-yang, [3] [2] is a concept that originated in Chinese philosophy, describing an opposite but interconnected, self-perpetuating cycle. Yin and yang can be thought of as complementary and at the same time opposing forces that interact to form a dynamic system in which ...
Abe no Seimei, a famous onmyōji. Onmyōdō (陰陽道, also In'yōdō, lit. ' The Way of Yin and Yang ') is a technique that uses knowledge of astronomy and calendars to divine good fortune in terms of date, time, direction and general personal affairs, originating from the philosophy of the yin-yang and the five elements.
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
Based on the ancient Chinese concept of yin and yang and five phases, which began in the Xia and Shang dynasties and was almost completed in the Zhou dynasty, that all phenomena are based on the combination of yin-and-yang five phases of wood, fire, earth, metal, and water, onmyōji is a uniquely Japanese profession that is responsible for astrology, calendar, I Ching, water clock, etc., which ...
Bagua is a group of trigrams—composed of three lines, each either "broken" or "unbroken", which represent yin and yang, respectively. [1] Each line having two possible states allows for a total of 2 3 = 8 trigrams, whose early enumeration and characterization in China has had an effect on the history of Chinese philosophy and cosmology .
For example, yin and yang (lit. ' dark and bright ') do not exemplify the opposition of good against evil, but instead represents the interpenetration of mutually-dependent opposites present in everything; "within the Yang there exists the Yin and vice versa". [9] The basis of Daoist philosophy is the idea of "wu wei", often translated as "non ...
Shén (in rising 2nd tone) is the Modern Standard Chinese pronunciation of 神 "god, deity; spirit, spiritual, supernatural; awareness, consciousness etc". Reconstructions of shén in Middle Chinese (ca. 6th-10th centuries CE) include dź'jěn (Bernhard Karlgren, substituting j for his "yod medial"), źiɪn (Zhou Fagao), ʑin (Edwin G. Pulleyblank, "Late Middle"), and zyin (William H. Baxter).
Ling is the state of the "medium" of the bivalency (yin-yang), and thus it is identical with the inchoate order of creation. [14] Things inspiring awe or wonder because they cannot be understood as either yin or yang, because they cross or disrupt the polarity and therefore cannot be conceptualised, are regarded as numinous. [96]