Search results
Results from the WOW.Com Content Network
Low-angle shot being filmed for Citizen Kane, in which a hole was cut in floor of the studio to achieve the perspective desired for the scene. A low-angle shot from Big Buck Bunny A Royal Canadian Mounted Police officer photographed from a low angle looks more imposing.
Citizen Kane is a 1941 ... the low-angle scene between Kane and Leland ... confrontation between Kane and Leland, shot from an extremely low angle that required ...
Cinematographer Arthur Edeson used a wider-angle lens than Toland and the film includes many long takes, low angles and shots of the ceiling, but it did not use deep focus shots on large sets to the extent that Citizen Kane did. Edeson and Toland are often credited together for revolutionizing cinematography in 1941.
"Citizen Kane," 80 this May, remains firmly established as the greatest movie ever. It's even got its own movie bio, "Mank," nominated for 10 Oscars.
Need help? Call us! 800-290-4726 Login / Join
For all the piles of research and miles of column inches that have been devoted to it, the controversy over the creative authorship of “Citizen Kane” — a kerfuffle that’s now 50 years old ...
In the reverse shot, then capturing Biff as the subject from Marty’s perspective, he is shown from a low angle shot, positioning the camera from Marty’s viewpoint looking up at Biff. [42] A single shot example of the OTS shot occurs in Citizen Kane.
Gregg Wesley Toland (May 29, 1904 – September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Grapes of Wrath, and The Long Voyage Home (both, 1940).