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The trestle gave way to the water And the trains they went on down. Rain it was a-falling thunder began to roll Lightning flashed like hellfire The wind began to blow Death, the cruel master When the wind began to blow Rode in on a team of horses I cried, "Death, won't you let me go" Hey, now trees fell on the island And the houses give away
Kui Dong (董葵, born 1966, Beijing, China) is a Chinese-American composer, musician, and teacher.She is known for her music which has often incorporated traditional Chinese music into contemporary contexts, and is currently Professor of Music at Dartmouth College. [1]
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
"Colors of the Wind" is a song written by composer Alan Menken and lyricist Stephen Schwartz for Walt Disney Pictures' 33rd animated feature film, Pocahontas (1995). The film's theme song, "Colors of the Wind" was originally recorded by American singer and actress Judy Kuhn in her role as the singing voice of Pocahontas.
Mistress Named Music. Smoky Mountain Rain. Against the Wind (Sittin’ On) The Dock of the Bay. Pour Some Sugar on Me. My Girl. And It Stoned Me. Theme From ‘The Dukes of Hazzard’ (Good Ol ...
The song reached No. 17 on the Billboard Adult R&B Songs chart and No. 26 on the Billboard Hot Gospel Songs chart. [86] [87] Frankin's rendition was produced by Maurice White and appears on the 2007 tribute album Interpretations: Celebrating the Music of Earth, Wind & Fire, [1] and was released as the lead single to promote the album. [88]
In 1777, Joseph Haydn's opera "Il mondo della luna"("The world on the moon") premiered. Author and classical music critic David Hurwitz describes Joseph Haydn's choral and chamber orchestra piece, The Creation, composed in 1798, as space music, both in the sense of the sound of the music, ("a genuine piece of 'space music' featuring softly pulsating high violins and winds above low cellos and ...
The song was one of two songs recorded with a studio orchestra during the initial stages of production. The title and theme were mainly inspired by the butterfly effect of chaos theory . The theory describes how even the smallest of changes in present conditions, such as the flapping of a butterfly's wings, can cause a chain reaction and have a ...