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The Maori Battalion Memorial Centre in Palmerston North (1954–64) used carved panels and tukutuku for decoration. The Urewera National Park Headquarters building (1974–76) was designed as a pavilion to suit the neighbouring bush, and shows that sense of place and landscape were critical to his architectural thinking.
Before British colonisation of New Zealand, the Indigenous architecture of Māori was an 'elaborate tradition of timber architecture'. [1] Māori constructed rectangular buildings (whare) with a 'small door, an extension of the roof and walls to form a porch, and an interior with hearths along the centre and sleeping places along the walls' for protection against the cold.
Rewi Thompson was an adjunct professor at Te Pare School of Architecture and Planning at the University of Auckland from 2002 to 2015. [4] [5]His projects include the terraced Wiri State Housing precinct (1986-1989), canopies at the Ōtara Town Centre (1987), City to Sea Bridge (1990-1994), Puukenga, the School of Māori Studies at Unitec in Auckland (1991), and his own house in Kohimarama (1985).
A wharenui ([ˈɸaɾɛnʉ.i]; literally "large house") is a communal house of the Māori people of New Zealand, generally situated as the focal point of a marae. Wharenui are usually called meeting houses in New Zealand English , or simply called whare (a more generic term simply referring to a house or building).
New Zealand design is a product both of indigenous Māori culture and of European (Pākehā) traditions and practices. The concept of design applies [ citation needed ] to Māori kaupapa (fundamental principles) as well as to other cultural spheres.
The Hundertwasser Art Centre with Wairau Māori Art Gallery is an art and cultural centre in Whangārei, New Zealand. It is the conception of artist and architect Friedensreich Hundertwasser, who lived near Kawakawa for 30 years, and was first designed in 1993. The project proved controversial and was considered and rejected a number of times ...
Te Maori (or sometimes Te Māori in modern sources) was a landmark exhibition of Māori art (taonga [Note 1]) that toured the United States from 1984 to 1986, and New Zealand as Te Maori: Te Hokinga Mai ('the return home') from 1986 to 1987.
Māori architecture: from fale to wharenui and beyond won the Art, Architecture and Design category in the 2009 Ngā Kupu Ora Māori Book Awards [11] and was a finalist in the Illustrated Non-Fiction Category at the 2010 New Zealand Post Book Awards. [12] [2] In 2021, Brown was made a Fellow of the Royal Society Te Apārangi. [13]