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Chiasmus was particularly popular in the literature of the ancient world, including Hebrew, Greek, Latin and K'iche' Maya, [7] where it was used to articulate the balance of order within the text. Many long and complex chiasmi have been found in Shakespeare [ 8 ] and the Greek and Hebrew texts of the Bible . [ 9 ]
An example of chiastic structure would be two ideas, A and B, together with variants A' and B', being presented as A,B,B',A'. Chiastic structures that involve more components are sometimes called "ring structures" or "ring compositions". These may be regarded as chiasmus scaled up from words and clauses to larger segments of text.
Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
In antiquity, the cross, i.e. the instrument of Christ's crucifixion (crux, stauros), was taken to be T-shaped, while the X-shape ("chiasmus") had different connotations.. There has been scholarly speculation on the development of the Christian cross, the letter Chi used to abbreviate the name of Christ, and the various pre-Christian symbolism associated with the chiasmus interpreted in terms ...
Daniel 3 forms part of a chiasmus (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side) within Daniel 2–7, paired with Daniel 6, the story of Daniel in the lions' den: [9]
Chiasm (anatomy), an X-shaped structure produced by the crossing over of the fibers, with the prefix chiasm- means cross examples include: A nerval chiasm, where either two nerves cross in the body midline (e.g. Optic chiasma) A crossing of fibres inside a nerve reversing their mapping; A tendinous chiasm, the spot where two tendons cross.
According to Lillian Klein, the use of this chiasmus underscores the standing of the women: Hannah is the primary wife, yet Peninnah has succeeded in bearing children. Hannah's status as primary wife and her barrenness recall Sarah and Rebecca in Genesis 17 and Genesis 25 respectively.
Bokovoy notes other examples in the Bible of the writer switching in the same passage from speaking about God at a distance to speaking to God in proximity. [58] Additionally, Salleh and Hemming suggest that, based on the tone of the psalm, Nephi doesn’t have a lot of time to mourn over his parents' deaths before he has to flee from his brothers.