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At that moment, the heroes are able to travel to Ultimecia's distant future and defeat her. [102] After the final battle and during an apparent decompression of time, the defeated Ultimecia transfers her powers to Edea at a point in the past. This action essentially triggers the sequence of events that form the game's plot, and creates a causal ...
"Time-space compression", she argues, "needs differentiating socially": "how people are placed within 'time-space compression' are complicated and extremely varied". In effect, Massey is critical of the notion of "time-space compression" as it represents capital's attempts to erase the sense of the local and masks the dynamic social ways ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Ellone sends Squall's team into Ultimecia's era, where she is defeated in a fierce battle before time compression can be fully achieved. Squall, lost in time and space, witnesses the dying Ultimecia traveling back in time to pass her powers to Edea. Rinoa finds him unconscious, and they return together to their restored world and time.
Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated primarily through cadences, phrases, and periods. [2] "Form refers to the larger shape of the composition. Form in music is the result of the interaction of the four structural elements," of sound, harmony, melody, and ...
A musical form in two sections: AB. bleeding, bleed, or bleed-through. A term which refers to the ambient sounds that a microphone aimed at an instrument picks up from other instruments or singers in the same room. In some cases, "bleeding" is considered undesirable, if unwanted sounds from other instruments are picked up by a microphone. To ...
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven extended and intensified Classical practice was to expand the coda sections, producing a final section sometimes of equal musical weight to the foregoing exposition ...