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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Best Seller: Larry Cohen: 1987 United States [27] Betrayed: Costa-Gavras: 1988 United States [53] A Better Tomorrow: John Woo: 1986 Hong Kong [73] The Big Easy: Jim McBride: 1987 United States [8] Black Rain: Ridley Scott: 1989 United States [8] Black Widow: Bob Rafelson: 1987 United States [8] Blade Runner: Ridley Scott 1982 United States [27 ...
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
A Turner Classic Movies expert shares his top picks.
Neo-noir crime thriller [43] Twist: Martin Owen: Rafferty Law, Michael Caine, Lena Headey, Rita Ora, Sophie Simnett: United Kingdom: Crime drama [44] Wrath of Man: Guy Ritchie: Jason Statham, Holt McCallany, Scott Eastwood, Jeffrey Donovan, Laz Alonso, Josh Hartnett, Post Malone: United States: Action-crime thriller [45]
Mark Rylance keeps quiet and makes suits in Graham Moore's 'The Outfit.' The film noir also stars Johnny Flynn, and Zoey Duetch. In theaters March 18.
The tone of film noir is generally regarded as downbeat; some critics experience it as darker still—"overwhelmingly black", according to Robert Ottoson. [223] Influential critic (and filmmaker) Paul Schrader wrote in a seminal 1972 essay that "film noir is defined by tone", a tone he seems to perceive as "hopeless". [224]
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