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The use of the word "generative" in the discussion of art has developed over time. The use of "Artificial DNA" defines a generative approach to art focused on the construction of a system able to generate unpredictable events, all with a recognizable common character.
Born in Budapest, Hungary, Oliver Sin was raised with his sister Judit by his father, Zoltan Sin, a ropemaker.He became interested in art and science at an early age. He studied visual art from 2003 to 2009 at Dunakeszi's Miklós Radnóti Gymnasium.
Islamic geometric patterns such as this girih tiling in the Darb-e Imam shrine in Isfahan, are precursors of algorithmic art. [3]Roman Verostko argues that Islamic geometric patterns are constructed using algorithms, as are Italian Renaissance paintings which make use of mathematical techniques, in particular linear perspective and proportion.
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Generative lexicon (GL) is a theory of linguistic semantics which focuses on the distributed nature of compositionality in natural language.The first major work outlining the framework is James Pustejovsky's 1991 article "The Generative Lexicon". [1]
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The Sin (German: Die Sünde) is an 1893 painting by the German artist Franz Stuck.Stuck created twelve known versions of the painting. Some of these can be viewed at the Neue Pinakothek, in Munich, the National Gallery, in Berlin, the Galleria di arte Moderna, in Palermo, the Frye Art Museum, in Seattle, and at the Villa Stuck, in Munich, where it is enshrined in the artist's Künstleraltar. [1]
Here’s a look at the final three House races waiting to be called in this year’s Congressional elections.