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The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
A transposing instrument; it is pitched in F, a perfect fifth lower than the oboe. The oboe d'amore, the alto (or mezzo-soprano) member of the family, is pitched in A, a minor third lower than the oboe. J.S. Bach made extensive use of both the oboe d'amore as well as the taille and oboe da caccia, Baroque antecedents of the cor anglais.
An oboist (formerly hautboist) is a musician who plays the oboe or any oboe family instrument, including the oboe d'amore, cor anglais or English horn, bass oboe and piccolo oboe or oboe musette. The following is a list of notable past and present professional oboists, with indications when they were/are known better for other professions in ...
Graupner wrote for exotic combinations of instruments, including the oboe d'amore, flute d'amore, and viola d'amore. Over half of his sinfonias require brass and timpani, with about 25 sinfonias requiring 3 to 4 timpani, one (sinfonia in G Major GWV 611) 5 timpani, and another, sinfonia in F Major (GWV 566), was composed for 6 timpani. A ...
Baroque oboe d'amore. The cantata is scored for four soloists—soprano, alto, tenor and bass—a four-part choir, and a Baroque instrumental ensemble of two oboes d'amore, two violins, viola and basso continuo. It is structured in two parts of four movements each. Its interpolation of chorus and arias with chorales is unique in Bach's cantatas ...
Baroque oboe d'amore. Bach set the text in a complex structure uniting two singers, a solo oboe and a solo cello. The soprano and alto sing of their unity in "neo-erotic" [21] or "overtly erotic/Pietistic" [37] language: "I shall die, if I have to be without you" the one; "I am yours, and you are mine!" the other.
The first aria, "Schäme dich, o Seele nicht, deinen Heiland zu bekennen" (Do not be ashamed, o soul, to acknowledge your Savior), [1] is scored as a trio for the oboe d'amore, alto and continuo, in an overall very expressive air that has characteristics of an intimate meditation. The initial ritornello already features a hesitant rhythm, with ...
He has made a number of recordings as a soloist, playing baroque oboe and related instruments such as the oboe d'amore. [2] His Bach recordings include oboe solos in sets of cantatas conducted by John Eliot Gardiner , Ton Koopman and others.
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