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Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, [1] and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades ...
Compared to the Renaissance architecture of other Italian cities, in Venice there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic architecture, remained far more heavily used than ...
The Loggetta is a small, richly decorated building at the base of the bell tower in Saint Mark's Square, Venice, Italy.Built by Jacopo Sansovino between 1538 and 1546, [1] it served at various times as a gathering place for nobles and for meetings of the procurators of Saint Mark, the officials of the Venetian Republic who were responsible principally for the administration of the treasury of ...
The Arsenal's main gate, the Porta Magna, was built around 1460 and was one of the first works of Venetian Renaissance architecture. It was based on the Roman Arch of the Sergii, a triumphal arch in Pula in Istria, now in Croatia but then Venetian territory. [11] It was perhaps built by Antonio Gambello from a design by Jacopo Bellini.
Palazzo Corner. Palazzo Corner della Ca' Granda, also called Ca' Corner della Ca' Granda or simply Palazzo Corner or Palazzo Cornaro, is a Renaissance-style palace located between the Casina delle Rose and the Rio di San Maurizio (Venice), across the Grand Canal from the Palazzo Venier dei Leoni (Peggy Guggenheim Collection), in the city of Venice, Italy.
Palazzo D'Anna Viaro Martinengo Volpi di Misurata, also known as Palazzo Talenti D'Anna Volpi, is a Renaissance palace in Venice, Italy, located in the San Marco district, overlooking the left side of the Grand Canal, between Palazzo Tron and Casa Marinoni and opposite of Palazzo Donà a Sant'Aponal.
The church was designed in sober Renaissance style by Jacopo Sansovino in 1554, with the advice of the Franciscan friar, Fra Francesco Zorzi.Fra Zorzi based the sizing of the various elements on the number three, because of its association with the Trinity: the nave should be nine paces wide and 27 paces long, each side chapel three paces wide.
Pages in category "Renaissance architecture in Venice" The following 83 pages are in this category, out of 83 total. This list may not reflect recent changes .