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The term "biscuit" refers to any type of fired but unglazed pottery in the course of manufacture, but only in porcelain is biscuit or bisque a term for a final product. Unglazed earthenware as a final product is often called terracotta, and in stoneware equivalent unglazed wares (such as jasperware) are often called "dry-bodied". Many types of ...
Pottery making families tend to be secretive about their practices and rarely cooperate with anyone outside the family for any aspect of the pottery making process. Superstition may surround the process, especially firing, with potters taking care to avoid "the evil eye" of neighbors and building small shrines and performing Christian and ...
High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.
Earthenware is glazed or unglazed nonvitreous pottery [2] that has normally been fired below 1,200 °C (2,190 °F). [3] Basic earthenware, often called terracotta , absorbs liquids such as water. However, earthenware can be made impervious to liquids by coating it with a ceramic glaze , and such a process is used for the great majority of ...
Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s. Usually described as stoneware, [2] it has an unglazed matte "biscuit" finish and is produced in a number of different colours, of which the most common and best known is a pale blue that has become known as "Wedgwood blue".
Guanajuato produces both glazed and unglazed pottery. In small indigenous communities, brown pieces with black decoration are produced. [2] The city of Guanajuato makes black ceramics with gold decoration, a style introduced by an artisan named Behrens. It is not traditional but his work has been imitated, often not to the same quality. [2]
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