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Si Una Vez" is a Spanish-language mariachi fusion track with influences of cumbia and Latin dance music. [ 1 ] [ 2 ] Author Deborah Paredez called "Si Una Vez" as having punk music undertones. [ 3 ] In 2002, A.B. spoke on how Amor Prohibido was experimental music -heavy and commented on how "Si Una Vez" was an example of his ideas of keeping ...
Two other tracks, "Ya No" and "Si Una Vez", delve into heartaches of failed relationships with the protagonist in the former song angrily refusing to take back a cheating partner. [44] Selena's vocals were called "strong [and] raspy" in "Si Una Vez". [62] Suzette particularly liked because Selena gave "that attitude" in the song. [34]
"El Chico del Apartamento 512" was written by Ricky Vela, the keyboardist of Selena y Los Dinos. [1] The song was co-written by Selena's brother-producer A.B. Quintanilla who, along with Argentine musician Bebu Silvetti, served as producers. [1]
"Si Una Vez" A.B. Quintanilla Pete Astudillo Amor Prohibido: 1994 [17] "Siempre Estoy Pensando en Ti" featuring Pete Astudillo: A.B. Quintanilla Pete Astudillo
"Amor Prohibido" (English: "Forbidden Love") is the title song of American Tejano singer Selena's fourth studio album of the same name (1994). Released as the lead single through EMI Latin on April 13, 1994, it was written by Selena, her brother and music producer A.B. Quintanilla III, and her band's backup vocalist Pete Astudillo.
Si Una Vez" ("If Once") was originally written by Pete Astudillo along with A.B. Quintanilla III and performed by American singer Selena in 1994 on her album Amor Prohibido. [20] [21] Ivy Queen's interpolation of the lyrics tell a story of a "woman who looks back at a lover and wonders why she even loved the lout who abused her love". [16]
"La Carcacha" (English: "The Jalopy") is a song recorded by American singer Selena for her third studio album, Entre a Mi Mundo (1992). The song was written by A.B. Quintanilla and Pete Astudillo.
The album also features Latin trap sounds, incorporating the widely known 808 drum patterns, and both fun and aggressive melodies, such as in “Si Veo A Tu Mama”, which samples the bossa-nova classic "The Girl from Ipanema", [27] featuring a sweet, Nintendo-ish keyboard sound, while the song “25/8” is an example of the dark, hard-hitting ...