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The Jesuits' impact was so profound during their missions of the time that today very similar styles of art from the Counter-Reformation period in Catholic Churches are found all over the world. Despite the differences in approaches to religious art, stylistic developments passed about as quickly across religious divisions as within the two ...
The goal of much art in the Counter-Reformation, especially in the Rome of Bernini and the Flanders of Peter Paul Rubens, was to restore Catholicism's predominance and centrality. This was one of the drivers of the Baroque style that emerged across Europe in the late sixteenth century.
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, [1] [2] but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread ...
Il Gesù was the first of many Counter-Reformation churches built in Rome; serving as the mother church of the new Jesuit order. Designed by Giacomo Barozzi da Vignola, the church of Il Gesù soon became the prototype for the Baroque churches that the Jesuit order built or rebuilt during the Counter-Reformation era. [4]
Painted for the Arquebusiers' guild, the Descent from the Cross triptych (1611–14; Cathedral of Our Lady, Antwerp)—with side wings depicting the Visitation and Presentation in the Temple, and exterior panels showing St. Christopher and the Hermit—is an important reflection of Counter-Reformation ideas about art combined with Baroque ...
The academy's achievements are controversial: while there is no doubt that it contributed to the training of many young artists, some of great stature such as Crespi, and above all to spreading the canons of Counter-Reformation art, many believe that the academy's overtly religious orientation was its main limitation. [44]
Italian Baroque art was a very prominent part of the Baroque art in painting, ... During the Counter Reformation, the Council of Trent (1545–63), ...
The Baroque style of architecture was a result of doctrines adopted by the Catholic Church at the Council of Trent in 1545–1563, in response to the Protestant Reformation. The first phase of the Counter-Reformation had imposed a severe, academic style on religious architecture, which had appealed to intellectuals but not the mass of ...
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