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They stand with their heads bowed to the left, in front of a mountainous landscape, which is vaulted by a sky with white clouds. The outlines of the horses reflect the mountains. The two knotless, white tree trunks in the foreground and background, which look like a diagonal, are striking. The front trunk is touched by the horse in the foreground.
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The equine image was common in ancient Egyptian and Grecian art, more refined images displaying greater knowledge of equine anatomy appeared in Classical Greece and later Roman work. [3] Horse-drawn chariots were commonly depicted in ancient works, for example on the Standard of Ur circa 2500BC.
Stubbs had painted many horse portraits, with and without human figures, but the heroic scale and lack of background of Whistlejacket are "unprecedented" in his work and equine portraits in general and "contemporaries were so astonished that a single horse should command a huge canvas that legends quickly developed" explaining why the painting ...
Horse Frightened by a Thunderstorm (c. 1824) by Eugène Delacroix. Horse Frightened by a Thunderstorm or White Horse Frightened by a Thunderstorm [1] is a watercolour on paper work by the French Romantic artist Eugène Delacroix painted sometime between 1824 and 1829, most probably in 1824.
The Horse in Motion studies are commonly regarded as a pinnacle in the development of motion picture media (although dates, titles, and pictures from different periods are often mixed up in statements about Muybridge's influence). Jordan Peele's 2022 film Nope made reference to Plate 626, published in Animal Locomotion. The film's main ...
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