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Existentialism Is a Humanism (French: L'existentialisme est un humanisme) is a 1946 work by the philosopher Jean-Paul Sartre, based on a lecture by the same name he gave at Club Maintenant in Paris, on 29 October 1945.
Simone de Beauvoir and Jean-Paul Sartre in Beijing, 1955. Jean-Paul Charles Aymard Sartre (/ ˈ s ɑːr t r ə /, US also / ˈ s ɑːr t /; [5] French:; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic, considered a leading figure in 20th-century French philosophy and Marxism.
Existentialism is a family of philosophical views and inquiry that prioritize the existence of the human individual, study existence from the individual's perspective, and conclude that, despite the absurdity or incomprehensibility of the universe, individuals must still embrace responsibility for their actions and strive to lead authentic lives.
Martin Heidegger attacked Sartre's concept of existential humanism in his Letter on Humanism of 1946, accusing Sartre of elevating Reason above Being. [5]Michel Foucault followed Heidegger in attacking Sartre's humanism as a kind of theology of man, [6] though in his emphasis on the self-creation of the human being he has in fact been seen as very close to Sartre's existential humanism.
He also expressed sympathy for Marcel's criticism of Sartre, and described Sartre's view of freedom as both "nihilistic" and possibly inconsistent with some of Sartre's other views. [19] The philosopher A. J. Ayer wrote that, apart from some psychological insights, the book was "a pretentious metaphysical thesis" and "principally an exercise in ...
In the wake of Being and Nothingness, Sartre became concerned with reconciling his concept of freedom with concrete social subjects and was strongly influenced in this regard by his friend and associate Maurice Merleau-Ponty, whose writings in the late 1940s and early 1950s, including Sense and Non-Sense, were pioneering a path towards a synthesis of existentialism and Marxism. [9]
Bad faith is paradoxical in this regard; when acting in bad faith, a person is actively denying their own freedom, while relying on it to perform the denial. However, Leslie Stevenson believes this characterization of the waiter itself as being an example of bad faith is a misrepresentation of Sartre's intentions. [8]
Sartre depicted a man in a café who has applied himself to a portrayal of his role as a waiter. The waiter thinks of himself as being a waiter (as in being-in-itself), which Sartre says is impossible since he cannot be a waiter in the sense that an inkwell is an inkwell.
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