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Costume for a Knight, by Inigo Jones: the plumed helmet, the "heroic torso" in armour and other conventions were still employed for opera seria in the 18th century.. The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the ...
Replica of Neolithic mask. A masquerade ceremony (or masked rite, festival, procession or dance) is a cultural or religious event involving the wearing of masks. The practice has been seen throughout history from the prehistoric era to present day. They have a variety of themes. Their meanings can range from anything including life, death, and ...
The primary events of FESTIMA are the performances, where mask wearers dance, accompanied by musicians playing hand drums, whistles, and balafons. [3] [7] Sometimes, a translator is present to interpret the meaning of the dance. [8] Some of the ethnic groups whose traditions are represented are the Bwaba, Marka, and Yoruba. [2]
Ijele is the largest mask system ever to enter the history of the world masking tradition. It comprises two segments: the upper and the lower segments, divided at the centre by a big python. The upper segment is called Mkpu Ijele while the lower segment is called Akpakwuru Ijele or Ogbanibe and the centre is called Eke - Ogba (Python).
The features of the mask illustrate the group's ideal of feminine beauty. The elegant hairstyles also symbolize the importance of social cooperation, since a woman needs the help of her friends to dress her hair. [3] The Mende honor outstanding carvers of sowei masks, which are typically men, with the name Sowo Gande. According to Philips, the ...
Dancing in Congo Square, 1886. Mardi Gras Indians have been practicing their traditions in New Orleans since at least the 18th century. The colony of New Orleans was founded by the French in 1718, on land inhabited by Chitimacha Tribe, and within the first decade 5,000 enslaved Africans were trafficked to the colony.
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The Masque of Beauty was a courtly masque written by Ben Jonson, and performed in London's Whitehall Palace on 10 January 1608. It inaugurated the refurbished banquesting hall of the palace (the predecessor of Inigo Jones' building). [1] It was a sequel to the preceding Masque of Blackness, which had been performed three years earlier, on 6 ...