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Sarasate chose specifically the music with a Spanish character. [1] A performance takes approximately 12 minutes. [4] The Carmen Fantasy is one of Sarasate's best-known works [1] and is often performed in violin competitions. Because of its delicate techniques and sanguineous passion inspired by the opera, it is considered to be one of the most ...
Malagueña y Habanera (Spanish Dances Nos. 1, 2 - Book I) 1878 Violin and piano 22 Romanza andaluza y Jota navarra (Spanish Dances Nos. 3, 4 - Book II) 1878 Violin and piano 23 Playera y Zapateado (Spanish Dances Nos. 5, 6 - Book III) 1880 Violin and piano 24 Caprice Basque (Basque Caprice) 1880 Violin and piano 25 Fantasy on Carmen (Bizet) 1882
The Spanish Dances (Spanish: Danzas españolas, first published title: German: Spanische Tänze) are a collection of eight pieces for violin and piano composed by Pablo de Sarasate between 1877 and 1882 and published in four books, each book combining two dances contrasting in rhythm and character. [1] They are among Sarasate's best known works ...
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...
Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers separated by dialogue.
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Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
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