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In Japanese mythology, Takamagahara (高天原, "Plane of High Heaven" or "High Plane of Heaven"), also read as Takaamanohara, Takamanohara, Takaamagahara, or Takaamahara, is the abode of the heavenly gods ().
The Kojiki portrays Ame-no-Minakanushi as the first god to appear in the heavenly realm of Takamagahara after the emergence of heaven and earth from the primeval chaos: . At the time of the beginning of heaven and earth, there came into existence in Takamanohara a deity named Ame-no-Minakanushi-no-Kami; next, Takamimusubi-no-Kami; next, Kamimusubi-no-Kami.
Her name means "Shines from Heaven" or "the great kami who shine Heaven". For many reasons, one among them being her ties to the Imperial family, she is often considered (though not officially) to be the "primary god" of Shinto. [1] [2] Ame-no-Uzume (天宇受売命 or 天鈿女命) Commonly called Uzume, she is the goddess of dawn and revelry ...
The middle country of reed beds) is, in Japanese mythology, the world between Takamagahara and Yomi . In time, the term became another word for the country or the location of Japan. The term can be used interchangeably with Toyoashihara no Nakatsukuni (豊葦原中国). There is a great dispute among historians about where exactly in Japan the ...
Amenotokotachi (天之常立神) [2] - Heaven; The next generation of gods that followed was the Kamiyonanayo, which included Izanagi-no-Mikoto and Izanami-no-Mikoto, the patriarch and matriarch of all other Japanese gods, respectively. Afterward, the Kotoamatsukami "hides away" as hitorigami. [3]
Ame-no-ukihashi (天浮橋, [1] 天の浮橋; [2] English: Floating Bridge of Heaven) is the bridge that connects the heaven and the earth in Japanese mythology. [3] In the story of the creation of the Japanese archipelago, narrated in the Kojiki and the Nihon Shoki, the gods Izanagi and Izanami stood upon this bridge while they gave form to the world. [4]
Amenooshihomimi name means "Ruling Rice Ears of Heaven". He also goes by other names like Masakatsu-akatsukachi-hayahi-ame-no-oshihomimi which means "Truly Winning Have I Won with Rushing Might Ruling Grand Rice Ears of Heaven".
Tennin are mentioned in Buddhist sutras, [citation needed] and these descriptions form the basis for depictions of the beings in Japanese art, sculpture, and theater.They are usually pictured as unnaturally beautiful women dressed in ornate, colourful kimono (traditionally in five colours), exquisite jewelry, and stole-like, feathered, flowing scarves--called both Chányī/Tenne (纏衣, lit ...