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The Artist's Garden at Giverny (French: Le Jardin de l'artiste à Giverny) is an oil on canvas painting by Claude Monet done in 1900, now in the Musée d'Orsay, Paris. It is one of many works by the artist of his garden at Giverny over the last thirty years of his life.
The Fondation Claude Monet is a nonprofit that manages the house and gardens of Claude Monet in Giverny, France, where Monet lived and painted for 43 years. Monet was inspired by his gardens, and spent years transforming them, planting thousands of flowers. He believed that it was important to surround himself with nature and paint outdoors.
The house became a popular tourist attraction (the Claude Monet Foundation), particularly in the summer when the flowers are in bloom. The other main attraction of the village is the Museum of Impressionism Giverny, dedicated to the history of impressionism and its continuation in the Giverny art colony and along the valley of the River Seine.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1926, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 95 years or fewer .
Through the Fondation Claude Monet, the house and gardens were opened for visits in 1980, following restoration. [108] In addition to souvenirs of Monet and other objects of his life, the house contains his collection of Japanese woodcut prints , which had a pronounced influence on his art. [ 109 ]
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
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Monet settled in Giverny in 1883. Most of his paintings from 1883 until his death 40 years later were of scenes within 3 kilometres (2 mi) of his home and gardens.Monet was intensely aware of and fascinated by the visual nuances of the region's landscape and by the endless variations in the days and in the seasons—the stacks were just outside his door.
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