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Letter cutting is a form of inscriptional architectural lettering closely related to monumental masonry and stone carving, often practised by artists, sculptors, and typeface designers. Rather than traditional stone carving, where images and symbols are the dominant features, in letter cutting the unique skill is "meticulous setting out and ...
This was a cheap way to extend the alphabet that didn't require purchasing or cutting custom sorts. The method was used for example with the Palaeotype alphabet, the International Phonetic Alphabet, the Fraser script, and for some mathematical symbols. Perhaps the earliest instance of this that is still in use is turned e for schwa.
Punchcutting is a craft used in traditional typography to cut letter punches in steel as the first stage of making metal type. [1] Steel punches in the shape of the letter would be used to stamp matrices into copper, which were locked into a mould shape to cast type. Cutting punches and casting type was the first step of traditional typesetting ...
Former letter of the English, German, Sorbian, and Latvian alphabets Ꟊ ꟊ S with short stroke overlay Used for tau gallicum in Gaulish [10] S with diagonal stroke Used for Cupeño and Luiseño [28] Ꞅ ꞅ Insular S Variant of s [9] [3] Ƨ: Reversed S (=Tone two) A letter used in the Zhuang language from 1957 to 1986 to indicate its ...
In an article titled "Current Notes" in the February 9, 1885, edition, the phrase is mentioned as a good practice sentence for writing students: "A favorite copy set by writing teachers for their pupils is the following, because it contains every letter of the alphabet: 'A quick brown fox jumps over the lazy dog. ' " [1] Dozens of other ...
The letter "Ø" is often used in trapped-key interlock sequence drawings to denote a key trapped in a lock. A lock without a key is shown as an "O". The letter "Ø" is also used in written music, especially jazz, to type an ad-hoc chord symbol for a half-diminished chord, as in "Cø".
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