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The Messenger" (Chinese: 信使; pinyin: xìnshǐ) is a science-fiction short story by Chinese writer Liu Cixin, first published in 2001. The short story was included in the collection A View from the Stars published by Head of Zeus in April 2024 and by Tor Books in May 2024. [1] [2] It was translated by Andy Dudak. [3]
Lu Xun, A Brief History of Chinese Fiction. (Foreign Languages Press, tr. 1959 Translated by Gladys Yang and Yang Xianyi. Various Reprints). China's leading early 20th-century writer surveyed traditional fiction in this pioneering survey, based on a series of 1923 lectures, in order to serve as a basis for modern writers.
Studies in history of the modern Chinese literature from the 17th century to 21st century were published in 2017 by the Harvard University Press as a fourth volume of new literary history series. The book A New Literary History of Modern China, edited by David Der-wei Wang, contains many scholarly essays and articles in time-line order. [82]
A Brief History of Chinese Fiction (Chinese: 中国小说史略; pinyin: Zhōngguó xiǎoshuō shǐlüè) is a book written by Lu Xun as a survey of traditional Chinese fiction. It was first published in Chinese in 1925, revised in 1930, translated into Japanese, Korean, German, and then into English in 1959 by Gladys Yang and Yang Xianyi .
(狂人日記, (CTA), dated April 1918) This story ostensibly reveals the delusions of a man who has passed through a period of madness, and has now returned to sanity and participation in "normal" society. A theme in the story is the nature of reality, and the difficulty of attaining a perspective from which to see reality clearly.
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China in Ten Words (simplified Chinese: 十个词汇里的中国; traditional Chinese: 十個詞彙裡的中國; pinyin: shí gè cíhuì lǐ de zhōngguó) is an essay collection by the contemporary Chinese author Yu Hua, who is known for his novels To Live, Chronicle of a Blood Merchant, and Brothers.
On a Chinese Screen, also known as On a Chinese Screen: Sketches of Life in China, is a travel book by W. Somerset Maugham, first published in 1922.It is a series of short sketches Maugham made during a trip along the Yangtze River in 1919–1920, and although ostensibly about China the book is equally focused on the various westerners he met during the trip and their struggles to accept or ...