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The Clarinet Works of Jörg Widmann: A Performance Guide to Fantasie for Clarinet Solo with a Survey of Unaccompanied Clarinet Repertoire and Guide to Contemporary Techniques (DMA thesis). Ohio State University. Mala, Defrim (2019). The music avangard Jörg Widmann and an analyse on his main work "The Fantasie for Clarinet Solo" (Master's thesis).
Berg notates several degrees of Sprechstimme, e. g. in Wozzeck, using single-line staff for rhythmic speaking, five-line staves with 'x' through the note stem, and a single stroke through the stem for close-to-singing Sprechstimme. In modern usage, it is most common to indicate Sprechstimme by using an 'x' in place of a conventional notehead. [6]
The work consists of an "outward" section labeled Original, followed by a "return" section labeled Miroir (Mirror), each lasting about 15 minutes. [3] Each section is composed of six sheets or cahiers (notebooks) marked A–F. [4] In the solo clarinet version, the performer plays the six Original sections in a sequence he or she chooses, after which the six Miroir sections are played. [4]
The clarinet is widely used as a solo instrument. The clarinet evolved later than other orchestral woodwind instruments, leaving solo repertoire from the Classical period onward, but few works from the Baroque era. Many clarinet concertos and clarinet sonatas have been written to showcase the instrument, for example those by Mozart and Weber. [95]
The E-flat (E ♭) clarinet is a member of the clarinet family, smaller than the more common B ♭ clarinet and pitched a perfect fourth higher. It is typically considered the sopranino or piccolo member of the clarinet family and is a transposing instrument in E ♭ with a sounding pitch a minor third higher than written. The E-flat clarinet ...
The first piece is in A minor and begins dreamily with hints of melancholy, but concludes with a resolution and hope in A major, looking forward to the next movement.. The second piece is in A major and is playful, upbeat, energetic and positive, with a central section modulating to F major with chromatic triplets in dialogue with the piano.
It is the most frequently performed work in the solo bassoon repertoire. [1] Osborne recorded the rhapsody in collaboration with Sol Schoenbach for a 1952 radio program of contemporary American music run by WNYC in New York. The piece's working title was "Study for Bassoon", but Osborne intended to make it playable on clarinet as well.
Bernhard Crusell (1826) Bernhard Henrik Crusell (15 October 1775 – 28 July 1838) [1] was a Swedish-Finnish clarinetist, composer and translator, [2] "the most significant and internationally best-known Finnish-born classical composer and indeed, – the outstanding Finnish composer before Sibelius".
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