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The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
Celia Cruz, who had had a successful career in Cuba with Sonora Matancera, was able to transition into the salsa movement, eventually becoming known as the Queen of Salsa. [ 48 ] [ 49 ] [ 50 ] Larry Harlow stretched out from the typical salsa record formula with his opera Hommy (1973), inspired by The Who 's Tommy album , and also released his ...
Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread. Clave awareness within the salsa community has served as a cultural "boundary marker", creating an insider/outsider dichotomy, between Cuban and non-Cuban, and between Latino and non-Latino.
Suelto, dancing salsa without a partner, originates from stage singers and dancers, who perform dance routines during orchestra and live performances. Dancing alone or in a group (usually with a male facing females on the dance floor), the movements are based on a-tiempo or contra-tiempo, with intricate footwork and lively body movements.
A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
This style is sometimes danced to mambo music, but more often to salsa dura (old-school salsa). It is termed "mambo on 2" because the break, or direction change, in the basic step occurs on count 2. The Eddie Torres and Razz M'Tazz schools each have different basic steps, even though they share this same basic feature.
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The partner takes a step back on the right foot, the knee being straightened as full weight is taken. The other leg is allowed to remain straight. It is possible it will shoot slightly but no deliberate flexing of the free leg is attempted. This is quite different from technique associated with salsa, for instance. On the next beat (beat three ...
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