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The symbol has been interpreted as representing the Holy Trinity, especially since the Celtic revival of the 19th century. The original intention by the early medieval artists is unknown and experts [who?] warn against over-interpretation. [2] It is, however, regularly used as a Trinitarian symbol in contemporary Catholic iconography.
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
This diagram consists of four nodes, generally circular in shape, interconnected by six links. The three nodes at the edge of the diagram are labelled with the names of the three persons of the Trinity, traditionally the Latin-language names, or scribal abbreviations thereof: The Father ("PATER"), The Son ("FILIUS"), and The Holy Spirit ("SPIRITUS SANCTUS").
The Holy Trinity is an important subject of icons in Eastern Orthodox Christianity, and has a rather different treatment from depictions in the Western Churches. There are two different types of Holy Trinity icons: the Old Testament Trinity and the New Testament Trinity (Троица Ветхозаветная and Троица ...
The Trinity depicts the three angels who visited Abraham at the Oak of Mamre (Genesis 18:1–8), but the painting is full of symbolism and is interpreted as an icon of the Holy Trinity. At the time of Rublev, the Holy Trinity was the embodiment of spiritual unity, peace, harmony, mutual love and humility. [6]
In late Renaissance European iconography, the Eye, surrounded by a triangle, was an explicit symbol of the Christian Holy Trinity. [15] The Eye of Providence was later painted above an image of three faces in Pontormo's 1525 Supper at Emmaus. [5] Seventeenth-century depictions of the Eye sometimes show it surrounded by clouds or sunbursts. [16]
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]
A compact diagram of the Trinity, known as the "Shield of the Trinity" consisting of God the Father, God the Son (Jesus), and God the Holy Spirit (the Shield is generally not intended to be a schematic diagram of the structure of God, but it presents a series of statements about the correlation between the persons of the Trinity)
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