Search results
Results from the WOW.Com Content Network
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Synthetism is a term used by Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work stylistically from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism , and later to Symbolism . [ 1 ]
Eugène Henri Paul Gauguin (/ ɡ oʊ ˈ ɡ æ n /; French: [øʒɛn ɑ̃ʁi pɔl ɡoɡɛ̃]; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and ...
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
Works in Oil and Pastel by the Impressionists of Paris, American Art Association, New York, April and May 1886. Organised by Paul Durand-Ruel. Impressionist exhibition, Paris, 15 May–15 June 1886 Un dimanche après-midi à l'Île de la Grande Jatte shown for the first time. Salon des Indépendants, Paris, 21 August–21 September 1886
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
In his 2000 book French Paintings of the Nineteenth Century, Part I: Before Impressionism, Lorenz Eitner called it “a daring attempt to give monumental form to a modern political subject of ...
Albright-Knox Art Gallery, Buffalo, New York. Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants, in March 1888. [1]