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Bhima (Sanskrit: भीम, IAST: Bhīma), also known as Bhimasena (Sanskrit: भीमसेन, IAST: Bhīmasena), is a hero and one of the most prominent figures in the Hindu epic Mahabharata, renowned for his incredible strength, fierce loyalty, and key role in the epic's narrative.
He appears during the exile of Pandavas. In the story, Bhima, Hanuman's celestial brother, performed a penance to gain more strength. Hanuman wanted to test Bhima and appeared as a normal monkey in front of him. The monkey asked Bhima to lift his tail if he believed in his strength. But, Bhima was not able to lift the tail.
The story brings to light his affection for his wife, Draupadi, and how unnoticed his acts of love remain. The narrative questions the mourning of Arjuna's son, Abhimanyu , when he is killed during the battle while trying to break the Chakravyuh formation, while Bhima's son, Ghatokkach, is led to his death by sacrificing his life to save Arjuna ...
The Basava Puranam is a 13th-century Telugu epic poem written by Palkuriki Somanatha.It is a sacred text of the Lingayat tradition. The epic poem narrates the life story of philosopher and social reformer Basava (1134–1196 CE), also known as Basavaṇṇa, Basavēśvara, Basavēśa, and Basavarāja, the founder of Lingayat. [1]
Damayanti (Sanskrit: दमयन्ती, romanized: Damayantī) is a figure in a love story found in the Vana Parva book of the Mahabharata. [1] She is the daughter of Bhima (not the Pandava) and a princess of the Vidarbha Kingdom, who marries King Nala of the Nishadha kingdom.
Dharmaraja Ratha Bhima Ratha Arjuna Ratha Nakula Sahadeva Ratha side view Draupadi Ratha. Pancha Rathas (also known as Five Rathas or Pandava Rathas or Ainthinai kovil) is a monument complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Chengalpattu district of the state of Tamil Nadu, India.
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The story presents the interconnectedness of crime to people related to the victim and the perpetrator, their emotions and how people take sides. Kichaka story from the Mahabharata is one of those that is dramatized in Indian classical dances, such as Kathakali. [18] 3. Go-harana Parva (Chapters: 25–69) [3] [19]