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Later in the 2000s, T-Pain used Auto-Tune extensively, further popularizing the use of the effect. [22] He cited the new jack swing producer Teddy Riley and funk artist Roger Troutman's use of the talk box as inspirations. [18] T-Pain became so associated with Auto-Tune that he had an iPhone app named after him that simulated the effect, "I Am ...
A notable example of Auto-Tune-based pitch correction is the Cher effect, so named because producer Mark Taylor originated the effect in her 1998 hit song "Believe". [4] The effect has been used by composer John Boswell for his Symphony of Science and Symphony of Bang Goes The Theory (a BBC science show) mash-ups.
A multitude of plug-ins have been developed by Image-Line to work with FL Studio, including synthesizers such as Sytrus and effects plugins such as Maximus and Edison. [2] In 2007 Image-Line released Deckadance, a DJ mixing program developed by programmer Arguru. Deckadance works as both a stand-alone program and as a FL Studio plugin. [9]
Two machines were used for the vocal editing in "Hollywood". Madonna preferred the Antares Auto-Tune plug in, while Ahmadzaï chose an AMS pitch shifter. [8] Madonna wanted Auto-Tune because she wanted "Hollywood" to have a more dance-like feel to it, although Ahmadzaï was against it. [8] Describing the recording of the vocals, Ahmadzaï said:
Madonna preferred the Antares Auto-Tune plug in, while Ahmadzaï chose an AMS pitch shifter. [11] Madonna chose Auto-Tune because she wanted "Nobody Knows Me" to have a more dance-like feel to it, although Ahmadzaï was against it. [11] [12] "Nobody Knows Me" has vocoder effects, spacey synths, bubbly bass. [13]
Audacity supports LADSPA, LV2, VST, VST3, Audio Units, Vamp and Nyquist plugins, which allows it to load most audio effect plugins. [25] It additionally features a console for Nyquist , a Lisp dialect, in which users can script their own plugins [ 26 ] and support for external python scripting.
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The vocoder should also not be confused with the Antares Auto-Tune Pitch Correcting Plug-In, which can be used to achieve a robotic-sounding vocal effect by quantizing (removing smooth changes in) voice pitch or by adding pitch changes.
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