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Caroline Amalie of Augustenburg wears a green pinafore dress over a white blouse or a chemise with a ruffled collar. A wide brimmed straw hat protects her face from the sun. Mademoiselle Gonin wears a dark dress with small puffed sleeves, with a ruffled collar and a blue plaid ribbon at the neck. Her hair is styled into small curls at her temples.
Tight dresses with long trains of the mid-1870s are trimmed with pleated ruffles, bows, buttons, and braid, and are worn with hats with ribbon streamers. French gown is festooned with flowers and is worn with mid-length white gloves and a black neck ribbon. The high-knotted hairstyle is typical of the mid-1870s.
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
Standing woman in a white dress with leg o'mutton sleeves. By René Schützenberger, 1895.. Fashionable women's clothing styles shed some of the extravagances of previous decades (so that skirts were neither crinolined as in the 1850s, nor protrudingly bustled in back as in the late 1860s and mid-1880s, nor tight as in the late 1870s), but corseting continued unmitigated, or even slightly ...
Dress shirts had stiff fronts, sometimes decorated with shirt studs, and buttoned up the back. The usual necktie was the four-in-hand and or the newly fashionable Ascot tie, made up as a neckband with wide wings attached and worn with a stickpin. Narrow ribbon ties were tied in a bow, and white bowtie was correct with formal evening wear.
When it comes to coquette outfits, there’s no such thing as too many bows, ruffles, and ribbons, a point proven by notoriously coquettish fashion designers like Simone Rocha, Sandy Liang, and ...
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