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A Pasi gong is a medium-size gong 12 to 15 inches (30 to 38 cm) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance, play or magic. It is used traditionally to announce the start of a performance, play or magic.
Chaozhou luogu (潮州锣鼓) - gong and drum music of Chaozhou (in Guangdong Province) Chaozhou da luogu (潮州大锣鼓) - big gong and drum music of Chaozhou; Chaozhou xiao luogu (潮州小锣鼓) - small gong and drum music of Chaozhou; Shifan luogu (十番锣鼓) - ten sound variations of gongs and drums (from southern Jiangsu Province)
This gong is struck with a wooden mallet to produce a sharp, attention commanding sound. The instrument is commonly used in folk performing arts in Korea, including shamanic music, dance, and mask dance drama, and is the lead instrument in pungmul. In Nongak, the person who beats a kkwaenggwari is called Sangsoe (상쇠) or Busoe (부쇠).
The Six Healing Sounds or Liù Zì Jué (六字訣) is one of the common forms of Chinese qigong, and involves the coordination of movement and breathing patterns with specific sounds. History [ edit ]
The sound of the gong usually involves vibration of its own structure. The aim of this analysis is to study the eigen modes and find out the important parameters to generate sound frequency which are excited on the bossed or nipple gong by finite element analysis. In this paper the inertia relief method is to study the sound frequency of the Gong.
The jing [1] (Korean: 징) is a large gong used in traditional Korean music, particularly in samul nori, pungmul, and daechwita to keep beat. It is usually made from high-quality brass and is struck by a stick that is layered with cloth at one end to soften the texture of the sound produced.
Gong Ageng in Javanese Gamelan ensemble Two gong sets; pélog scale set and sléndro scale set. Smaller kempul gongs are suspended between gong ageng (largest, right-side) and its gong suwukan (left, facing rearward). The gong ageng (or gong gedhe in Ngoko Javanese, means large gong) is an Indonesian musical instrument used in the Javanese gamelan.
The nipple is crucial to the sound, as this is the part being struck by the player. In addition to this, the gongs are tuned by sticking promor (a lead and wax combination) to the underside of the nipple. Two holes are drilled on either side of the gong so it can be suspended in the frame with copper wire.