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In Ancient Rome, declamation was a genre of ancient rhetoric and a mainstay of the Roman higher education system. It was separated into two component subgenres, the controversia, speeches of defense or prosecution in fictitious court cases, and the suasoria, in which the speaker advised a historical or legendary figure as to a course of action.
This short treatise professes to be the introduction to a translation of a speech by Demosthenes called On the Crown, and a speech of his rival, Aeschines, called Against Ctesiphon. Cicero was an advocate of free translation: "The essence of successful oratory, he insists, is that it should 'instruct, delight, and move the minds of his audience ...
Speech written by Cato calling for a war against Carthage. Cato the Elder 143 BCE [10] [11] De Domo Sua: On his House: Cicero discusses grief and sacrifice Cicero 57 BCE [12] [13] De Falsis Pugnis: On Falsified Battles: Speech written by Cato against general who sought triumphs for territories they had not conquered through war. Cato the Elder ...
First page of the first part of Bach's Christmas Oratorio (1734). This is a chronological list of oratorios from the 16th century to the present. Unless otherwise indicated, all dates are those when the work was first performed.
An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. [1]Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias.
Olympic Oration or On Man's First Conception of God; Olynthiacs; On a Wound by Premeditation; On the Chersonese; On the Crown; On the False Embassy; On the Halonnesus; On the Liberty of the Rhodians; On the Murder of Eratosthenes; On the Navy Boards; On the Peace
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Antony has been allowed by Brutus and the other conspirators to make a funeral oration for Caesar on condition that he will not blame them for Caesar's death; however, while Antony's speech outwardly begins by justifying the actions of Brutus and the assassins, Antony uses rhetoric and genuine reminders to ultimately portray Caesar in such a positive light that the crowd is enraged against the ...