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The pattern is a Selburose, which is a traditional rose from the Selbu area, shaped like an octagram. Marit Guldsetbrua Emstad (born 1841) first knitted the pattern into a pair of mittens in 1857, [2] and sold it through Husfliden in Trondheim in 1897. Selbuvott is possibly the most-worn knitted pattern in Norway.
In Norway, the pattern was already in use prior to 1857 on sweaters from Western Norway based on Danish designs. [1] Marit Guldsetbrua Emstad (born 1841), [2] a girl from Selbu, popularized the design in 1857 when she knitted three pairs of mittens with an eight-petalled rose design (åttebladrose) and brought them to church
Knitted garments found in Norway have been dated as far back as between 1476 and 1525. Some of the most well known sweater patterns attributed to Norwegian colorwork knitting are the Setesdal Lusekofte and the Fana Fanacofte patterns. Selbu in Trøndelag county is also well known for the Selburose pattern motif. Selbu mittens first appeared as ...
Nålebound socks from Egypt (300–500 AD) Mittens done in "nålebinding" Swedish nålebinding mittens, late 19th century. Nålebinding (Danish and Norwegian: literally 'binding with a needle' or 'needle-binding', also naalbinding, nålbinding, nålbindning, or naalebinding) is a fabric creation technique predating both knitting and crochet.
Mittens are made from several materials, including wool, leather and fur. From the late 18th century, knitting patterns were published which allowed to inscribe poems on knitted mittens. [15] Special types of mittens include: A pair of one-finger ski mittens, providing the warmth of a mitten, but offering more dexterity in gripping things.
Picking up stitches to make the thumb of a mitten. In knitting, picking up stitches means adding stitches to the knitting needle that were previously bound off or belong to the selvage. Picking up stitches is commonly done in knitting garments, e.g. in knitting the collar or sleeves, and is essential for entrelac knitting.
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