Search results
Results from the WOW.Com Content Network
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Synthetism is a term used by Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work stylistically from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism , and later to Symbolism . [ 1 ]
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group.Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
Henri-Jean Guillaume "Henri" Martin (French pronunciation: [ɑ̃ʁi ʒɑ̃ ɡijom maʁtɛ̃]; 5 August 1860 – 12 November 1943) was a French painter.Elected to the Académie des Beaux-Arts in 1917, he has been described as a prolific master whose work has touches of melancholy, dreaminess and mystery.
Albright-Knox Art Gallery, Buffalo, New York Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants , in March 1888. [ 1 ]
Bramley was one of the founders of the New English Art Club, but left the organization after having received condemning comments from Walter Sickert. [5] In 1894 Bramley became an Associate of the Royal Academy (ARA) and in 1911 he became a Royal Academician (RA). He was also a gold medal winner at the Paris Salon. [2] [3]
The Eternal Feminine is an 1877 oil-on-canvas painting by the French Post-Impressionist artist Paul Cézanne. [1] The ambiguous work shows men gathered around a single female figure. A range of professions are represented: writers, lawyers, and a painter (possibly Eugène Delacroix or Cézanne himself).