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Victor Moscoso (born July 28, 1936) [1] is a Spanish–American artist best known for producing psychedelic rock posters, advertisements, and underground comix in San Francisco during the 1960s and 1970s. He was the first of the rock poster artists of the 1960s era with formal academic training and experience.
Hapshash and the Coloured Coat was an influential British graphic design and avant-garde musical partnership in the late 1960s, consisting of Michael English and Nigel Waymouth. It produced popular psychedelic posters, and two albums of underground music. [1] [2] [3]
Robert Wesley Wilson (July 15, 1937 – January 24, 2020) was an American artist and one of the leading designers of psychedelic posters. [1] Best known for designing posters for Bill Graham of The Fillmore in San Francisco, he invented a style that is now synonymous with the peace movement, the psychedelic era and the 1960s.
Trippy movies can be of any genre—musical, comedy, drama, horror—so long as they have to achieve three key things. First, a trippy movie has to be visually dazzling or off-putting enough that ...
Alton Kelley (June 17, 1940 – June 1, 2008) was an American artist known for his psychedelic art, in particular his designs for 1960s rock concert posters and album covers. Along with artists Rick Griffin , Stanley Mouse , Victor Moscoso and Wes Wilson , Kelley founded the Berkeley Bonaparte distribution agency in order to produce and sell ...
Warren Lloyd Dayton is an American illustrator, artist and graphic designer best known for his posters from psychedelic art era, a pioneer of the use of T-shirts as an art medium, creator of corporate branding & logos such as Thomas Kinkade’s Lightpost Publishing, and internationally award-winning book, editorial, commercial illustration and typography.
In 1997, Van Hamersveld started his own line of products revisiting his work from 1964 to 1974, which he calls "Post-Future". With the printmaking of a fine art edition of the Endless Summer poster, he moved his design work into his Coolhous studio in Santa Monica and between analog and digital environments managed to create works such as the posters for the 2005 Cream reunion concert at the ...
In 1976 he returned to work for Disney, designing the Land and Wonders of Life pavilions at the Epcot Center, before leaving again in 1981 to design the proposed Cousteau Ocean Center in Norfolk, Virginia, and to set up his own business, the Mariposa Design Group, which developed projects in Oman, Las Vegas, Denver and elsewhere.
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