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In music, sharp – eqv. dièse (from French) or diesis (from Greek δίεσις) [a] – means higher in pitch. The sharp symbol, ♯, indicates that the note to which the symbol is applied is played one semitone higher. The opposite of sharp is flat, indicating a lowering of pitch.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In most cases, a sharp raises the pitch of a note one semitone while a flat lowers it one semitone. A natural is used to cancel the effect of a flat or sharp. This system of accidentals operates in conjunction with the key signature, whose effect continues throughout an entire piece, or until another key signature is indicated.
F Sharp notes. F ♯ (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to sol bémol or G ♭ (G-flat) in 12 equal temperament. However, in other temperaments, such as quarter-comma meantone, it is not the same as G ♭.
In Western musical notation, a key signature is a set of sharp (♯), flat (♭), or rarely, natural (♮) symbols placed on the staff at the beginning of a section of music. The initial key signature in a piece is placed immediately after the clef at the beginning of the first line.
The vector ♯ is called the sharp of α. The sharp map is a smooth bundle map ♯ : T ∗ M → T M {\displaystyle \sharp :\mathrm {T} ^{*}M\to \mathrm {T} M} . Flat and sharp are mutually inverse isomorphisms of smooth vector bundles, hence, for each p in M , there are mutually inverse vector space isomorphisms between T p M and T ∗
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F-sharp major is the key of the minuets in Haydn's "Farewell" Symphony and of the String Quartet No. 5 from his Op. 76, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's "Va, pensiero" from Nabucco, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata.