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Hi-NRG (pronounced "high energy") [2] is a genre of uptempo disco or electronic dance music (EDM) that originated during the late 1970s and early 1980s.. As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene.
The best song on Smith’s second EP is a slow and lovely duet with another sensitive British singer-songwriter, James Bay, on “Waste,” but Smith has plenty more charming uptempo songs like ...
Dance-pop was more uptempo and dancey than regular pop, yet more structured and less free-form than dance music, usually combining pop's easy structure and catchy tunes with dance's strong beat and uptempo nature. Dance-pop music was usually created, composed and produced by record producers who would then hire singers to perform the songs.
Songs are heavily keyboard based when uptempo songs are taken on and string oriented on the ballads, which tend to be more effective than the rockers. Somehow, the wilder material seems a bit strained and contrived while the slower tunes work both vocally and instrumentally.
The album contains renditions of classic ballads and uptempo songs themed around inspiration and hope as Boyle sees those as the "two elements we all need in our life to drive us forward and inspire us to go out and capture our dreams; they worked for me after all." Boyle furthermore said of the album, "I have really enjoyed making this album.
List of artists by total songs charting in the top-ten this year Artist Numbers of songs Taylor Swift: 11 Kendrick Lamar: 10 Metro Boomin: 6 Future: 5 Morgan Wallen: 4 Beyoncé: 3 Travis Scott; Sabrina Carpenter; Playboi Carti; Tyler, the Creator; SZA; Ariana Grande; Drake: 2 Doja Cat; Miley Cyrus; 21 Savage; Post Malone; Zach Bryan; Billie ...
"So Emotional" is a song by American singer Whitney Houston. It was released as the third single from her second studio album Whitney (1987) on October 12, 1987 by Arista Records . The song was written by Billy Steinberg and Tom Kelly and produced by Narada Michael Walden .
McKinley kicked off certain uptempo songs by asking pianist Freddie Slack (nicknamed "Daddy") to give him a boogie beat, or "eight to the bar". McKinley, in a discussion with the jazz writer George Simon relates, "We were playing one of them (a boogie, blues) one night at the Famous Door and two songwriters, Don Raye and Hughie Prince, were ...