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Fascia (/ ˈ f eɪ ʃ ə /) is an architectural term for a vertical frieze or band under a roof edge, or which forms the outer surface of a cornice, visible to an observer. [ 1 ] Typically consisting of a wooden board, unplasticized PVC (uPVC), or non-corrosive sheet metal, many of the non-domestic fascias made of stone form an ornately carved ...
Hemming and seaming are two similar metalworking processes in which a sheet metal edge is rolled over onto itself. Hemming is the process in which the edge is rolled flush to itself, while a seam joins the edges of two materials. [1] Hems are commonly used to reinforce an edge, hide burrs and rough edges, and improve appearance. [1]
An engineering drawing is a type of technical drawing that is used to convey information about an object. A common use is to specify the geometry necessary for the construction of a component and is called a detail drawing.
Cross hipped: The result of joining two or more hip roof sections together, forming a T or L shape for the simplest forms, or any number of more complex shapes. Satari: A Swedish variant on the monitor roof; a double hip roof with a short vertical wall usually with small windows, popular from the 17th century on formal buildings.
Section view through a house roof drawing showing names for parts of the structure. [clarification needed] (UK and Australia). Ctrs. means centers, a typical line to which carpenters layout framing. Domestic roof construction is the framing and roof covering which is found on most detached houses in cold and temperate climates. [1]
A roof pentaprism used in Single-lens reflex cameras; the lower right face is the roof (dach). An Amici roof prism. A roof prism, also called a Dachkanten prism or Dach prism (from German: Dachkante, lit. "roof edge"), is a reflective prism containing a section where two faces meet at a 90° angle, resembling the roof of a building and thus the name.
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In a continuous-line drawing, the artist looks both at the subject and the paper, moving the medium over the paper, and creating a silhouette of the object. Like blind contour drawing, contour drawing is an artful experience that relies more on sensation than perception; it's important to be guided by instinct. [2]