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The idea of the exhibition was to explore how various groups and individuals (from hippies through pop stars to fashion designers) have promoted the idea of men wearing skirts as "the future of menswear". It displayed men's skirts on mannequins, as if in the window of a department store, in several historical and cross-cultural contexts. [43]
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Qun (Chinese: 裙; pinyin: qún; Jyutping: kwan4; lit. 'skirt'), referred as chang (Chinese: 裳; pinyin: cháng) prior to the Han dynasty, [1] chang (Chinese: 常) and xiachang (Chinese: 下常), [2] and sometimes referred as an apron, [3] is a generic term which refers to the Chinese skirts used in Hanfu, especially those worn as part of ruqun, and in Chinese opera costume.
A boy in a village of Narail, Bangladesh wearing a lungi with simple twist knot. The lungi is a clothing similar to the sarong that originated in the Indian subcontinent.The lungi, which usually multicoloured, [1] is a men's skirt usually tied around the lower waist below the navel.
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High fashion moments saw the continued casualization of the suit with callbacks to the wider lapels and color palate of the 1970s, while the mass market continued to see silhouettes ease away ...
Qixiong ruqun (simplified Chinese: 齐胸襦裙; traditional Chinese: 齊胸襦裙), which can also be referred as Qixiong shanqun (simplified Chinese: 齐胸衫裙; traditional Chinese: 齊胸衫裙), [1] also known as "chest-high ruqun", [citation needed] is a set of attire in hanfu, the traditional Chinese clothing worn by the Han Chinese.
Kilts and other male skirts in general were relaunched as a trend during the 1980s. Stephen Sprouse introduced a black denim mini-skirt over black denim jeans in 1983. Then in 1984, Jean Paul Gaultier made waves in the fashion industry when he reintroduced mini skirts and kilts for men. [39]
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